What was I thinking? |
Just two chapters in, I was thinking about putting it down. At first, it felt like Murakami was rambling and spending too much time qualifying that this book was simply about what running was like for him. After 50 pages, I realized I was reacting to Murakami's complete lack of pretense. There is no artifice between writer and reader. Murakami writes plainly. When Murakami runs, you run. When he tires, you tire. It's not because Murakami's descriptions are lively. They aren't. He describes passing roadkill during a run from Athens to Marathon with as much pragmatism as those whose job it is to remove roadkill. The reader knows Murakami's experience as a runner because the reader is also a runner. The genius of What I Talk About is not the creation of an experience for the reader, but its evocation of experiences the reader has already had. There is no need for Murakami to describe the act of running because we fill it in for him. Instead, he describes the feelings his running brings out in him, and we feel them in our own way. This common experience of running becomes a conversation with Murakami. He says: here is how running makes me feel. Naturally, I thought about how running feels different to me. I thought about how running is the same for me a Murakami and how we are different in our running. Did Murakami plan on this being my reaction? Murakami made me realize that, though everyone runs by alternating the left and right feet, running is a different experience for each runner. The act of running evokes a unique response in each of us, and Murakami's book asks us to think about how running is for us.
Murakami's book is thought of by longtime runners as being particularly quotable, but I don't think this is particularly true. Parts of his book leave strong impressions, but the words themselves are not succinct. When searching for the book's title, Google auto-suggests adding the word "quotes" after it. Clicking on the top result brings you to a blog that quotes literature. The three What I Talk About quotes are over 3,500 words. Murakami writes in impressions. Yet he quotes someone early in the book, "In the act of shaving lies a philosophy." He explains that he feels any act repeated often comes to reflect the person repeating it. For Murakami, running and writing are deeply personal rituals, in part because he has run and written so much.
What I Talk About is really an improvised run. Murakami is an impulsive man, and he felt it time to write this book, so he did. I imagine him sitting at his sun-bathed desk in his open-air office in Hawaii and completing a sentence. He looks up and his eyes focus. Something has stirred in him and broken his stream of thoughts. There will be no more writing now. I think of him rising out of his chair, stepping tightly to his running shoes, which lie neatly next to the door, facing outward. He lifts off his shirt, stretching upward, breathing a deep breath and tingling in anticipation. He opens the door and, head down, begins his run. Murakami has no route in mind, no thoughts, just an urge to move. He must run until he is spent. As his body warms and his legs unspool, he is able to lift his eyes from their clouded writer's haze to see the ocean-side, the trees, the signposts easing past. He tells us what this feels like to him and we feel what it would feel like to us.
For Murakami, running is a moving experience, pardon the pun, and his experience has moved me. What I Talk About has made me think differently about running. I feel sad for those who run blankly or not enough to feel some hint of the depth Murakami draws from running. In the end What I Talk About is more than a description of what we feel when we run, more than a conversation among runners. Murakami describes how this act of running, repeated often, has come to reflect the person he is. He describes how running has challenged him to become better. In making me more aware of this process, Murakami and I will run together for a long time.
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